Copyright © 2021 Penske Business Media, LLC. Distance 18 Miles 10:44 AM, C-print. In his series of Mylar satellites, Paglen applies advanced engineering to the creation of non-functional objects, stripping technology of its intended purpose and hoping to launch his own time capsule of photographs into geostationary orbit. The World's Premier Art Magazine since 1913. From questioning our assumptions about government surveillance to calling out existence of covert operations or the “blank spots on the map,” Paglen takes nothing for granted. Kristen Knupp of Art Decision interviewed American artist Trevor Paglen at Pace Gallery, Geneva, for his new exhibition “The Shape of Clouds” which opened on September 3, 2019. Viewers may get lost in color or pattern and turn away after a few seconds. Distance 18 Miles 10:44 AM, C-print. Turning his vision to the night sky, he traces the paths of information-gathering satellites. An artist and author of numerous books and articles, Trevor Paglen uses special equipment to photograph sites of secret government activity, or “black sites,” including the Tonopah Test Range and the Nevada Test and Training Range. Trevor Paglen is a photographer, writer and investigator. Big Question: What is Artificial Intelligence Getting Wrong? 1. His work takes aim at the U.S. government’s network of secret facilities and programs that have burgeoned since September 11; as he puts it, this means that “there is very little evidentiary material in the images that I create.” Look for the plus icon next to videos throughout the site to add them here. View of Trevor Paglen’s exhibition “Bloom,” 2020, at Pace Gallery. Trevor Paglen, Bloom (#79655d), 2020, dye sublimation print, 26 by 19½ inches. Trevor Paglen lives and works in New York. 20.4k Followers, 639 Following, 381 Posts - See Instagram photos and videos from Trevor Paglen (@trevorpaglen) The colors emerge from a mathematical process that could be applied to any other image. Artist’s website The sprays of blossoms are tinted different colors in variegated sections, a slightly nauseating spectrum of reds, yellows, blues, and purples. Trevor Paglen: All of these projects morph from one to the next. Trevor Paglen: Impossible Objects, Altman Siegel, San Francisco, March 15–May 5, 2018. From his vantage points at various public locations, he photographs distant military facilities, capturing extreme telephoto images of … Trevor Paglen (b. The elegiac quality of the series comes from the contrast between the content of the images, familiar to human viewers, and the coldness of the machine’s gaze. @trevorpaglen on Instagram, Trevor Paglen analyzes how your selfies fuel artificial intelligence. We want to hear from you! Paglen was born in 1974 in Maryland, and his wide-ranging work includes sculpture, journalism, and engineering as well as image-making. Algorithms lack any understanding of this context; they can only approximate it. In his “CLOUD” series (2019), Paglen uses algorithms to analyze transcendental photos of the sky; he has continued exploring this technique using the mountainous landscapes in the American West, as seen in the Carnegie exhibition. Part of Trevor Paglen’s project The Other Night Sky, in … She’s set to give an artist talk over Instagram Live on the account of her alma mater tonight, explaining her work and its relationship to the body, memory, and time, and answering viewers’ questions. In 2018 his mid-career survey exhibition Sights Unseen was held at the Smithsonian American Art Museum, Washington, D.C., accompanied by a fully illustrated catalog. “Artist Talk: Patricia Voulgaris” at the School of Visual Arts Patricia Voulgaris, a young photographer who uses her camera to capture in-studio experiments in performance and sculpture, graduated from SVA and also teaches there now. Send us a tip using our anonymous form. Trevor Paglen: Opposing Geometries Sep 4, 2020–Mar 14, 2021 Gallery One, Museum of Art Lobby, Scaife Galleries Trevor PaglenTrevor Paglen (b. Hard Truths: Will Museums' Digital Plans Make Curators Obsolete? Paglen’s work has been widely exhibited at institutions internationally, ranging from Tate Modern and The Met to biennials in Taipei and Istanbul. 1,091 Likes, 42 Comments - Trevor Paglen (@trevorpaglen) on Instagram: “If you told me a few years ago that I’d be doing a body of work with images of flowers, I would…” Trevor Paglen received a BA from the University of California at Berkeley (1996), an MFA from the School of the Art Institute of Chicago (2002), and a PhD in Geography from the University of California at Berkeley (2008). Trained as a geographer and photographer, Paglen makes the invisible visible by documenting the American surveillance state of the 21st century. Trevor Paglen is an artist and activist who is particularly concerned with the power of images, having spent his entire career challenging our vision of the world. Trevor Paglen: How Deep Is the Ocean, How High Is the Sky, Fotograf Gallery, Prague, October 6–November 4, 2017. Art history meets the technological filter through which we now experience much of visual culture, via iPhone cameras, Instagram posts, and TikTok feeds. Paglen’s activist bent—the artist as investigative journalist or social educator—competes with his urge to make compelling objects. By attaching a telescope to his camera through a special lens, Paglen is able to photograph military structures and classified aircraft from publicly accessible land many miles away. Available for sale from Pace Gallery, Trevor Paglen, We... (2020), Pigment print on archival paper, 185.9 × 145.3 × 6.5 cm “Bloom” is a series of high-resolution photographs of flowering trees. In recent years he has shifted his attention to artificial intelligence, exploring how machine vision is shaping our perception of the world. {{watchlist.lookupAttr('runtime', video);}}, {{watchlist.lookupAttr('progress', video)}} /, Season 7 of "Art in the Twenty-First Century". In this episode, Trevor Paglen discusses two recent photographs at Griffin Editions—a printing studio in New York City. In images that go beyond straightforward journalistic documentation, Paglen gives voice to shifting ideas of the landscape of the American West, humankind’s place in the cosmos, and the surveillance state. Further one-person shows have been held at the Barbican, London; Museo Tamayo, Mexico City; the Nevada Museum of Art, Reno; Secession, … From his vantage points at various public locations, he photographs distant military facilities, capturing extreme telephoto images of stealth drones. What is Artificial Intelligence Getting Wrong. More than a series of visual alignments or colors, beauty lies in our memories of the world, the connection of a flower to the experience of spring inevitably passing. We don’t really know what it’s looking for, or at. ... Instagram posts, and TikTok feeds. They function as illustrations. Trevor Paglen, 2005, Large Hangars and Fuel Storage, Tonopah Test Range, NV. Price:Fre… The colors are the biggest sign that something inhuman has happened: they don’t seem to follow a single logic and their arrangements are too granular to have been executed by hand. An artist and author of numerous books and articles, Trevor Paglen uses special equipment to photograph sites of secret government activity, or “black sites,” including the Tonopah Test Range and the Nevada Test and Training Range. 1974, Camp Springs, MD) is known for investigating the invisible through the visible, with a wide-reaching approach that spans image making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. Flowers might stay bright white while the trees’ leaves and branches recede into blues. Flowers are a perennial artistic subject, from the Dutch Baroque memento mori that Paglen references in the video to Andy Warhol’s screen prints. Paglen’s series appears ominous—machines attempt to perceive beauty by reducing it to straight lines and perfect shapes—but it’s also a little goofy. As Paglen explains in a video published by Pace, the colors have been assigned by machine-learning algorithms developed by his studio that dissect the images’  textures and spatial arrangements, then apply colors to mark differences. Over the past decade, since he earned a PhD in geography in 2008 from the University of California at Berkeley, Paglen has become famous for using his practice to reveal things that are hidden, making media headlines as much as exhibitions. But his visualize how a machine perceives an image. The algorithms interpret no symbolism; there’s no ephemerality or tragedy latent to a springtime blossom. Art21 is a 501(c)3 non-profit organization; all donations are tax deductible to the fullest extent of the law. @pacegallery: “You can now watch the full recording of our online panel discussion, "AI and Allegory in the COVID…” Installed in a building that once served as home to the 902nd Military Intelligence Group — in a vault that housed classified documents — Operation Onymous (FBI Investigation of the Silk Road) invokes the motif […] Artist Trevor Paglen reveals some of those cables in a recent series, offering a visual reminder of how vulnerable your data is, and how easily it is accessed. 2017. Trevor Paglen. Links: STSS-1 and Two Undentified Spacecraft over Carson City (Space Tracking and Surveillance System, USA 205), 2010. Once we learn to recognize the influence of algorithms, Paglen hopes, we might figure out how to counter it and reclaim some of the humanity of our vision. Trevor Paglen is a conceptual artist and geographer making the invisible operations of military and corporate power visible to everyday citizens. Save videos to watch later, or make a selection to play back-to-back using the autoplay feature. Trevor Paglen is an artist whose work has been exhibited at the Metropolitan Museum of Art, New York; Tate Modern, London; Walker Arts Center, Minneapolis; and the San Francisco Museum of Modern Art, among others. While in residence at MIT, he worked with researchers Professor Karl. 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